Toutes peintures à l'huile d'Anton Raphael Mengs

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86693

All Souls College

Oil on wood, 291 x 178 cm. Date 1770-71 cyf

33834

Allegory of History

mk86 c.1772/73 Fresco 420x260cm Rome,Vatican,Biblioteca Vaticana,Sala dei Papiri

79477

British painter

1752(1752) Medium Oil on canvas Dimensions 84.6 x 75.2 cm (33.3 x 29.6 in) cyf

79173

Charles III of Spain

ca. 1760(1760) Medium Oil on canvas cyf

90905

Christ in the Garden of Gethsemane

Oil on canvas, 185 x 185 cm. Date ca. 1780 cjr

88474

Das Urteil des Paris

c. 1757 Medium Oil on canvas cjr

91882

Das Urteil des Paris

c. 1757 Medium oil on canvas Dimensions Deutsch: 226 X 295,5 cm cjr

80048

Diana as Personification of the Night by Anton Raphael Mengs.

Diana as Personification of the Night by Anton Raphael Mengs. One of an ensemble of four paintings with personifications of the times of day intended as supraportas for the boudoir of Maria Luisa of Parma, Princess of Asturia, now in the Palacete de la Moncloa as part of the Patrimonio Nacional, Madrid. Oil on canvas, 192 x 180 cm. Date ca. 1765 cjr

81485

Don Luis de Borbon

ca. 1769(1769) Medium Oil on canvas Dimensions 82 x 63 cm (32.3 x 24.8 in) cyf

84084

Evening

Date ca. 1765 cyf

84087

Helios as Personification of Midday

Date ca. 1765 cyf

79964

Holy Roman Emperor

1770-1771 Medium Oil on canvas Dimensions 147 x 96 cm (57.9 x 37.8 in) cyf

80250

Holy Roman Empress

1770(1770) Medium Oil on canvas Dimensions 98 x 78 cm (38.6 x 30.7 in) cyf

79146

Infanta Maria Josefa

between 1761(1761) and 1769(1769) Medium Oil cyf

78793

Infantin Maria Theresa von Neapel

1773(1773) Medium Oil on panel Dimensions 103 x 76 cm (40.6 x 29.9 in) cyf

79466

Infantin Maria Theresa von Neapel

1773(1773) Medium Oil on panel Dimensions 103 x 76 cm (40.6 x 29.9 in) cyf

31356

Maria Luisa of Parma

nn07 1765 oil on canvas; 48??38 cm? Prado, Madrid, Spain

64324

maria luisa of parmathe princess of asturias

1765 paris. louvre

78399

Maria Luisa von Parma

ca. 1765(1765) Medium Oil on canvas Dimensions 152 x 110 cm (59.8 x 43.3 in) cyf

76549

Maria Luisa von Parma Prinzessin von Asturien

ca. 1765(1765) Oil on canvas 152 ?? 110 cm (59.8 ?? 43.3 in) cjr

83979

Night by Anton Raphael Mengs

Oil on canvas, 192 x 180 cm. Date ca. 1765 cyf

82649

Noli me tangere, painting by Anton Raphael Mengs. All Souls College, Oxford

Noli me tangere, painting by Anton Raphael Mengs. All Souls College, Oxford (since 1997, on loan from the National Gallery, London). Oil on wood, 291 x 178 cm. Date 1770-71 cjr

83466

Perseus Frees Andromeda

. Oil on canvas, 227 x 153.5 cm. Date 1773-76 cyf

78158

portrait

Date ca. 1778(1778) Medium Oil on wood Dimensions 56.5 x 43 cm (22.2 x 16.9 in) cyf

78078

Portrait du cardinal Archinto

1756(1756) Oil on canvas 155 x 114 cm (61 x 44.9 in) cjr

78910

Anton Raphael Mengs, Portrait of Archduke Ferdinand (1769-1824) and Archduchess Maria Anna of Austria (1770-1809), children of Leopold II, Holy Roman Emperor

Portrait of Archduke Ferdinand (1769-1824) and Archduchess Maria Anna of Austria (1770-1809), children of Leopold II, Holy Roman Emperor

1770-1771 Oil on canvas 147 x 96 cm (57.9 x 37.8 in) cjr

91837

Portrait of Charles Hanbury Williams.

c. 1750(1750) Medium oil on canvas cjr

77074

Portrait of Charles III of Spain

1761 cjr

79931

Portrait of Charles III of Spain

. 1760(1760) Medium Oil on canvas cyf

80202

Portrait of Domenico Annibali

1750(1750) Medium Oil on canvas cyf

77800

Portrait of Domenico Annibali (1705-1779), Italian singer

1750(1750) Oil on canvas 95 cm (37.4 in). Height: 125 cm (49.2 in). cjr

79851

Portrait of Infanta Maria Josefa

between 1761(1761) and 1769(1769) Medium Oil cyf

81638

Portrait of Infante Antonio Pascual of Spain

Date c. 1765 Medium Oil on canvas Dimensions 84 x 68 cm (33.1 x 26.8 in) cjr

76044

Portrait of Isabel Parreno Arce Ruiz de Alarcon y Valdes, Marchioness of Llano

1770-1775 Oil on canvas 250 ?? 148 cm (98.4 ?? 58.3 in) cjr

96485

Portrait of JoseNicola de Azara

before 1779(1779) Medium oil cyf

81206

Portrait of Maria Antonia Walpurgis of Bavaria

Date 18th century Medium Oil cjr

80547

Portrait of Maria Antonietta of Spain

after 1773(1773) Medium Oil on canvas cyf

81691

Portrait of Maria Antonietta of Spain

1773(1773) Medium Oil on canvas cyf

78009

Portrait of Maria Carolina of Austria

Date 1772-73 Medium Oil cyf

76196

Portrait of Maria Carolina of Austria Queen consort of Naples and Sicily

1772-73 cjr

80191

Portrait of Maria Luisa of Spain

Date Deutsch: um 1764/1765 Medium Deutsch: Leinwand Dimensions 84.5 x 65 cm (33.3 x 25.6 in) cyf

78822

Portrait of Richard Wilson

1752(1752) Medium Oil on canvas Dimensions 84.6 x 75.2 cm (33.3 x 29.6 in) cyf

79235

Portrait of the Duchess of Huescar

1757 Medium Oil cyf

81420

Portrait of the Infante Gabriel of Spain

1761(1761) Medium Oil on canvas Dimensions 82 x 69 cm (32.3 x 27.2 in) cyf

88577

Portrat eines Mannes

between 1774(1774) and 1776(1776) Medium Oil on wood Dimensions 67 x 53 cm (26.4 x 20.9 in) cjr

92739

Prince of Asturias, Future Charles IV of Spain

c. 1765(1765) Medium oil on canvas Dimensions 152.5 X 111 cm (60 X 43.7 in) cjr

77969

Retrato de la Marquesa de Llano

Date 1770-1775 Medium Oil on canvas Dimensions 250 x 148 cm (98.4 x 58.3 in) cyf

78432

Retrato de la Marquesa de Llano

1770-1775 Medium Oil on canvas Dimensions 250 x 148 cm (98.4 x 58.3 in) cyf

81437

Self ortrait

1774(1774) Medium Oil on wood Dimensions 73.5 x 56.2 cm (28.9 x 22.1 in) cyf

78577

Self portrait

after 1775(1775) Medium Oil on canvas Dimensions 97.2 x 73 cm (38.3 x 28.7 in) cyf

2891

Self Portrait 12

The Hermitage, St.Petersburg

2890

Self Portrait ddd

38544

Self-Portrait

mk138 c.1773/74 Oil on wood 90.5x74.5cm

40599

Self-Portrait

mk156 c.1775 Oil on panel 97x72.6cm

76219

Self-portrait

ca. 1778(1778) Oil on wood 56.5 ?? 43 cm (22.2 ?? 16.9 in) cjr

76685

Self-portrait

after 1777(1777) Oil on canvas cjr

76784

Self-portrait

ca. 1775(1775) Oil on canvas 102 ?? 77 cm (40.2 ?? 30.3 in) cjr

77103

Self-portrait

1773(1773) Oil on wood 98 ?? 73 cm (38.6 ?? 28.7 in) cjr

78105

Self-portrait

1774(1774) Oil on wood 73.5 x 56.2 cm (28.9 x 22.1 in) cjr

78594

Self-portrait

after 1777(1777) Medium Oil on canvas cyf

23379

self-Portrait (nn03)

c 1774 Oil on canvas 102 x 77 cm 40 1/4 x 30 1/4 in Hermitage Museum St Petersburg

91096

Semiramis Receives News of the Babylonian Revolt by Anton Raphael Mengs. Now in the Neues Schloss, Bayreuth

Oil on canvas, 105.5 x 137 cm. Date ca. 1756 cjr

39719

St Foseph-s dream

mk150 c.1773/4 Oak 114x86cm

62818

The Holy Family

1769 Oil on canvas, 112 x 91 cm Museum of Fine Arts, Budapest The artist used a single colour, gray, and used the various shades of this colour to create a total pictorial illusion. Artist: MENGS, Anton Raphael Title: The Holy Family Date: 1751-1800 German , painting : religious

83301

The Judgment of Paris

Oil on canvas, 226 x 295 cm. Date ca. 1757 cyf

93480

The Judgment of Paris, painting by Anton Raphael Mengs, now in the Eremitage, St. Petersburg

Oil on canvas, 226 x 295 cm. Date ca. 1757 cjr

79138

the later Queen Maria Luisa of Spain

1765(1765) Medium Oil on canvas Dimensions 38 x 48 cm (15 x 18.9 in) cyf

82858

Unknown Cardinal

1750(1750) Medium Oil on canvas Dimensions 737 x 616 cm (290.2 x 242.5 in) cyf

Anton Raphael Mengs

1728-1779 Dutch Anton Raphael Mengs Gallery Mengs was born in 1728 at Usti nad Labem (German: Aussig) in Bohemia on 12 March 1728; he died in Rome 29 June 1779. His father, Ismael Mengs, a Danish painter, established himself finally at Dresden, whence in 1741 he took his son to Rome. In Rome, his fresco painting of Parnassus at Villa Albani gained him a reputation as a master painter. The appointment of Mengs in 1749 as first painter to Frederick Augustus, elector of Saxony did not prevent his spending much time in Rome, where he had married Margarita Quazzi who had sat for him as a model in 1748, and abjured the Protestant faith, and where he became in 1754 director of the Vatican school of painting, nor did this hinder him on two occasions from obeying the call of Charles III of Spain to Madrid. There Mengs produced some of his best work, and specially the ceiling of the banqueting-hall of the Royal Palace of Madrid, the subject of which was the Triumph of Trajan and the Temple of Glory. Among his pupils there was Agust??n Esteve. After the completion of this work in 1777, Mengs returned to Rome, and there he died, two years later, in poor circumstances, leaving twenty children, seven of whom were pensioned by the king of Spain. His portraits and autoportraits recall an attention to detail and insight, often lost from the grand manner paintings. Besides numerous paintings in the Madrid gallery, the Ascension and St Joseph at Dresden, Perseus and Andromeda at Saint Petersburg, and the ceiling of the Villa Albani must be mentioned among his chief works. In 1911, Henry George Percy, 7th Duke of Northumberland, possessed a Holy Family, and the colleges of All Souls and Magdalen, at Oxford, possessed altar-pieces by Mengs's hand. In his writings, in Spanish, Italian and German, Mengs has put forth his eclectic theory of art, which treats of perfection as attainable by a well-schemed combination of diverse excellences Greek design, with the expression of Raphael, the chiaroscuro of Correggio, and the colour of Titian. He would have fancied himself the first neoclassicist, while in fact he may be the last flicker of Baroque art. Or in the words of Wittkower, In the last analysis, he is as much an end as a beginning. His intimacy with Johann Joachim Winckelmann, who constantly wrote at his dictation, has enhanced his historical importance, for he formed no scholars, and the critic must now concur in Goethe's judgment of Mengs in Winckelmann und sein Jahrhundert; he must deplore that so much learning should have been allied to a total want of initiative and poverty of invention, and embodied with a strained and artificial mannerism. Mengs was famous for his rivalry with the contemporary Italian painter Pompeo Batoni.

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